Volume 4, 2026 – Issue 3 
From Colonial Education to Decolonial Self-Representation: Tayeb Saddiki’s Theatrical Journey
Abdeladim Hinda
1
FPL, Abdelmalek Essaâdi University, Morocco
* Corresponding author: a.hinda@uae.ac.ma
DOI: 10.5281/zenodo.23585058
Abstract
This article explores the conditions leading to the transplantation of French-made theatre in Morocco and the ways in which Moroccan theatre practitioners in general and Tayeb Saddiki in particular broke free, but not quite so, from the yoke of the ‘molierisation’ of theatre to making a theatre attuned to and reflective of the local performance culture, from imitation to initiation. This is nowhere better illustrated than in the evolution of Tayeb Saddiki, a dramatist and dramaturge who consciously caught the spirit of his age. In retracing Saddiki’s theatrical journey from being a bright student of French practices to becoming a fully-fledged theatre-maker, I will gain insight into the itinerary modern Moroccan theatre took, a direction largely shaped by the directorial choices Saddiki made along the way. In so doing, I contend that Saddiki made an invaluable contribution to bridging the colonial theatre with the de-colonial theatre, setting the stage for the emergence of a re-imagined Moroccan national theatre.
Keywords: conditions, transplantation, French-made, theatre, Morocco, local performance culture, Tayeb Saddiki, modern theatre
Published
2026/10/31
—
Section
Research Papers
How to Cite (APA)
Download Citation: EndNote/Zotero/Mendeley (RIS)
References
Achebe, C. (1995). Colonialist criticism. In B. Ashcroft, G. Griffiths, & H. Tiffin (Eds.), The post-colonial studies reader (p. 58–59). Routledge.
Alhajri, K. R. (2007). A scenographer’s perspective on Arabic theatre and Arab-Muslim identity [Doctoral dissertation, University of Leeds].
Amine, K. (2000). Moroccan theatre between East and West. Le Club du Livre de la Faculté des Lettres et des Sciences Humaines de Tétouan.
Amine, K. (2013, March 27). Double critique: Disrupting monolithic thrusts. Textures.
Amine, K., & Carlson, M. (2012). The theatres of Morocco, Algeria and Tunisia: Performance traditions of the Maghreb. International Federation for Theatre Research.
Bhabha, H. K. (1986). Forward: Remembering Fanon: Self, psyche and colonial condition. In F. Fanon, Black skin, white masks (C. L. Markmann, Trans., pp. xxii–xxiv). Pluto Press.
Bhabha, H. K. (1994). The location of culture. Routledge.
Bounahai, N. (2016). Thresholds of difference: The Arab-Muslim theatre revisited. In N. Mokhtari (Ed.), Decentering patterns of otherness: Towards an asymmetrical transcendence of identity in postcolonial MENA. UIR Press.
Bradby, D. (1991). Modern French drama, 1940–1990 (2nd ed.). Cambridge University Press.
Briffault, R. (1919). The making of humanity. George Allen & Unwin.
Brown, J. R. (Ed.). (1997). The Oxford illustrated history of theatre. Oxford University Press.
Carlson, M. (2004). Performance: A critical introduction (2nd ed.). Routledge.
Chakrabarty, D. (2000). Provincializing Europe: Postcolonial thought and historical difference. Princeton University Press.
Fischer-Lichte, E. (2005). Reconceptualizing theatre and ritual. In Theatre, sacrifice, ritual: Exploring forms of political theatre (p. 24). Taylor & Francis.
Fischer-Lichte, E. (2008). The transformative power of performance: A new aesthetics (S. I. Jain, Trans.). Routledge.
Fischer-Lichte, E. (2010, August 11). Interweaving cultures in performance: Different states of being in-between. Textures.
Gramsci, A. (1970). An introduction to his thought. Pluto Press.
Habibi, H. (2011). Tayeb Saddiki: Hayat masrah [Tayeb Saddiki: A life in theatre]. Matbaàt Dar al-Nashr.
Kotzamani, M. (2006). Tayeb Saddiki: Interviewed by Marina Kotzamani. PAJ: A Journal of Performance and Art, 28(2), 37–39.
Macedo, D. (2000). Introduction to the anniversary edition. In P. Freire, Pedagogy of the oppressed (M. B. Ramos, Trans., p. 12). Continuum.
Ndlovu-Gatsheni, S. J. (2013). Coloniality of power in postcolonial Africa: Myths of decolonization. CODESRIA.
Quijano, A. (2007). Coloniality and modernity/rationality. Cultural Studies, 21(2–3), 168–178.
Redgrave, M. (1958). Forward. In B. L. Knapp, Louis Jouvet: Man of the theatre (pp. vii–viii). Columbia University Press.
Rubin, D. (Ed.). (1994). The world encyclopedia of contemporary theatre: Europe (Vol. 1). Routledge.
Said, E. W. (1995). Orientalism. In B. Ashcroft, G. Griffiths, & H. Tiffin (Eds.), The post-colonial studies reader (p. 89). Routledge.
Sarhan, M., & Elyas, A. A. (1987). Modern criticism. Scientific Publishing Centre, King Abdulaziz University Press.
Shakespeare, W. (n.d.). The tragedy of Hamlet, Prince of Denmark.
Styan, J. L. (1981). Modern drama in theory and practice 2: Symbolism, surrealism and the absurd. Cambridge University Press.
Young, R. (1990). White mythologies: Writing history and the West. Routledge.
About the authors
- Abdeladim Hinda is an associate professor of English at FPL, Abdelmalek Essaâdi University, Larache, Morocco.
a.hinda@uae.ac.ma ↩︎


